Catch up on Bill Burr videos in minutes

Bill Burr opens election week by criticizing Donald Trump, passive liberals, unwanted AI surveillance cameras, and masked ICE agents brandishing weapons at unarmed citizens. Referencing a Rory Scovel joke, Burr notes that men who refused pandemic masks now wear masks on duty, concluding that liberals are nowhere to be found pushing back.

Sam Morril introducing his new stand-up special Incorrect released on Netflix. He selected the Tampa Theatre for the taping due to its distinct visual appeal and the great local audience energy.

Bill Burr recounts performing at the 25th anniversary 9/11 comedy benefit organized by Pete Davidson and Jon Stewart, praising how seamlessly first responders and comics shared the stage. He observed that comedy can effectively honor tragedy when handled with genuine heart and courage. The event proved that humor and solemn remembrance can coexist constructively.

Burr shares his experience appearing on Jimmy Kimmel Live, where a movie clip included an uncensored swear word during broadcast. He recounts his excitement at meeting guitarist Judith Hill and R&B artist H.E.R. on set. Burr commends Kimmel for consistently showcasing talented musicians alongside mainstream acts.

Bill Burr describes his recent trip to New Orleans, praising the warm community, rich musical culture, and classic Southern cuisine. He highlights how authentic local food and analog musicians make the city uniquely welcoming. He concludes that experiencing New Orleans provides an undeniable antidote to prejudice and division.

Bill Burr expresses sadness over the planned demolition of the Calgary Saddledome and reminisces about historic arenas like Northlands Coliseum, Maple Leaf Gardens, and Boston Garden. He critiques modern arena designs for prioritizing luxury over visual character and distinct architecture. Ultimately, he laments how contemporary corporate arena designs erase the gritty nostalgia of vintage sports venues.

Bill Burr argues that modern vehicles equipped with microphones and digital sign-in requirements are essentially intrusive corporate listening devices. He expresses frustration that neither side of the political spectrum mounts serious opposition against domestic digital tracking. Burr concludes that citizens have passively accepted conditions once warned about in dystopian fiction.

Bill Burr reminisces about his lack of academic focus in high school, recalling how heavy metal lyrics constantly took precedence over homework and SAT preparation. He jokingly traces his test-taking strategies to rock choruses and multiple-choice guessing tactics. The reflection underscores how standardized school environments fail to engage distracted creative minds.

While in New York City, Bill Burr experienced a jarring incident where a woman aggressively pulled at his pocket in broad daylight, leaving him feeling shaken and questioning his situational awareness.

Bill Burr recounts the stressful experience of losing his wallet in Belfast, detailing the immediate actions taken to cancel cards and the eventual relief of its safe return with all contents intact, thanking the unknown individual who returned it.

Bill Burr is enjoying his time filming an independent movie in Belfast, finding the country gorgeous and the local pubs to be social hubs where people engage in conversation rather than being on their phones.

Bill Burr begins by discussing his arrival in Ireland, noting the common misconception that people there say 'top of the morning' and contrasting it with the reality of modern phone usage. He also touches on the flight experience, including a less-than-ideal connection at Heathrow years ago versus a smoother recent experience.